Posts Tagged ‘Meets’

Kika Kila Meets Ki Ho’alu

Product Description
This all-instrumental album is the second in Dancing Cat’s groundbreaking series of pure acoustic steel guitar and slack key duets. It brings together two masters of their crafts (Bob Brozman on acoustic steel and Ledward Kaapana on slack key) from different cultures who share their aloha for vintage Hawaiian music in a free flowing session of great foot tapping music and good fun.Amazon.com
Bob Brozman, who plays duets on National steel with Kaapana, comes to Hawaiian music via the blues and other traditional mainland folk forms. His work has a busyness, in the best possible sense of the term–the guy’s all over the place, though he can also lay back and keep it simple when he wants to; he also has a prickliness that many island steel players don’t show. He brings out the best in Kaapana, who plays with a fuller, more virile tone than usual. They reach further back than most of their peers for material and arrangements, too, so this set has the straightforward, benignly sentimental feel of the earliest recorded Hawaiian music. –John Morthland

Kika Kila Meets Ki Ho’alu

Kika Kila Meets Ki Ho’Alu

Amazon.com
Bob Brozman, who plays duets on National steel with Kaapana, comes to Hawaiian music via the blues and other traditional mainland folk forms. His work has a busyness, in the best possible sense of the term–the guy’s all over the place, though he can also lay back and keep it simple when he wants to; he also has a prickliness that many island steel players don’t show. He brings out the best in Kaapana, who plays with a fuller, more virile tone than usual. They reach further back than most of their peers for material and arrangements, too, so this set has the straightforward, benignly sentimental feel of the earliest recorded Hawaiian music. –John Morthland

Kika Kila Meets Ki Ho’Alu

Southern Meets Soul: An American Gospel Jubilee

Product Description
SOUTHERN MEETS SOUL is a jubilee of American music in the style of southern and country gospel with soul and r&b seasoning. It’s an exciting new sound, but not a brand new trip for The Jordanaires, The Light Crust Doughboys, Nokie Edwards and Larry “T-Byrd” Gordon–since these innovative artists have been cross-pollinating the very best in American music for decades. This album is the latest in the Greenhaw Records’ series of gospel albums which have been Grammy Award-Nominated the past 7-out-of-8 years and Grammy Award-Winning in 2003 for the album WE CALLED HIM MR. GOSPEL MUSIC: THE JAMES BLACKWOOD TRIBUTE ALBUM. SOUTHERN MEETS SOUL is the story of influential singers and instrumentalists blending music from the legendary sounds of Texas, Nashville and the Pacific Northwest. The Jordanaires, The Light Crust Doughboys, Nokie and T-Byrd are singing and playing with unbridled fire and creativity as they bring their artistry from thousands of recordings and stage! performances to this signature, career album.

Southern Meets Soul: An American Gospel Jubilee

Mountain Music Meets New Age

Product Description
TRack Listing: 1. The Cuckoo; 2. Gypsy Davy; 3. Are You Sleeping; 4. Water Is Wide; 5. Rock My Soul; 6. John Hardy; 7. Simple Gifts; 8. Colorado Trail; 9. Shady Grove; 10. Aunt Rhody

Mountain Music Meets New Age

Mannheim Steamroller Meets The Mouse: Unique Musical Creations Based On Disney Songs

Album Description
From the heartland of Nebraska, under the creative guidance of Chip Davis, the enormously popular Mannheim Steamroller has made some of the country’s bestselling faux-classical synth-pop New Age music, as witnessed by the Fresh Aire and Christmas serials. Beginning in 1974, Mannheim Steamroller cleverly and skillfully created a niche–and more lucratively, a market–for their outfit and for a genre that has grown to encompass the likes of Yanni and Zamfir. On Mannheim Steamroller Meets the Mouse, Davis and his cast of accomplices tackle Disney stalwarts such as “Zip-A-Dee-Doo-Dah” (from Song of the South) and “Chim Chim Cheree” (from Mary Poppins), as well as relative newcomers to the Mouse catalog, including “Go the Distance” (from Hercules) and “You’ve Got a Friend in Me” (from Toy Story).Amazon.com
From the heartland of Nebraska, under the creative guidance of Chip Davis, the enormously popular Mannheim Steamroller has made some of the country’s bestselling faux-classical synth-pop New Age music, as witnessed by the Fresh Aire and Christmas serials. Beginning in 1974, Mannheim Steamroller cleverly and skillfully created a niche–and more lucratively, a market–for their outfit and for a genre that has grown to encompass the likes of Yanni and Zamfir. On Mannheim Steamroller Meets the Mouse, Davis and his cast of accomplices tackle Disney stalwarts such as “Zip-A-Dee-Doo-Dah” (from Song of the South) and “Chim Chim Cheree” (from Mary Poppins), as well as relative newcomers to the Mouse catalog, including “Go the Distance” (from Hercules) and “You’ve Got a Friend in Me” (from Toy Story). Sadly, despite sweet moments in their rendition of Mulan’s “Reflection” or the beloved Pinocchio tune “When You Wish Upon a Star,” on which there is a lovely hand-bell choir sound, at best the Mannheim Steamroller registers a tepid nice. –Paige La Grone

Mannheim Steamroller Meets The Mouse: Unique Musical Creations Based On Disney Songs

Ibiza Meets Africa

Album Description
The first disc is a selection of 15 African ambient house tracks featuring samples from reggae bands, gospel, choral, and accapella groups, as well as traditional drumming and marimba bands from the Western Cape of South Africa. The second disk is a cross selection of some of the best songs recorded in the western cape over the past 6 years and features original compositions. The music takes the listener on a journey through the townships and offers a selection of music as diverse as the culture of South Africa. Prestige Elite. 2005.

Ibiza Meets Africa

Bach Meets the Beatles: Revisited

Album Description
Bach Meets The Beatles: Revisited features 12 best-selling Fab Four tracks performed in the distinctive style of the Baroque master by contemporary pianist John Bayless. Classics like “Penny Lane”, “I Want To Hold Your Hand”, “Yesterday”, “Eleanor Rigby”, “Lady Madonna”, and others are arranged as if Bach himself were behind the keyboards.

Bach Meets the Beatles: Revisited

From The Kitchen Archives No. 3 – Amplified: New Music Meets Rock 1981-1986

Product Description
Amplified: New Music Meets Rock, 1981–1986 is the third release in a series of CDs compiled from The Kitchen’s archive that documents historic concert recordings at The Kitchen from the early 1970s to the mid-1980s. While the first two releases, New Music, New York 1979 and Steve Reich and Musicians, Live 1977 focused on major figures of new and experimental music from The Kitchen’s first decade, Amplified moves into the early 1980s, representing a vocabulary that emerged from the avant-garde, minimalist, and No New York scenes in the 1960s and 1970s in New York City. Highlights from the CD include the layered guitars of Rhys Chatham’s works; classical cello played through electronic effects pedals by Arthur Russell; a Christian Marclay piece created with multiple turntables “prepared” with his “To and Fro-nograph”; one of the earliest Sonic Youth concert recordings; two tracks by Swans; and a rarely performed large orchestral piece by Elliott Sharp. Even now,! more than twenty years after these shows took place, these recordings capture an explosive energy that still feels vibrant and vital.

From The Kitchen Archives No. 3 – Amplified: New Music Meets Rock 1981-1986

Boy Meets World

Product Description
With all the talk that hip-hop is dead, there’s no better example than Fashawn to prove that it’s certainly alive, well and being fed to a hungry new generation of hip-hop fans. And after listening to just 16 bars it’s evident that Fashawn is one of the hungriest. He’s a prodigal son, part of a new generation of emcees lucky enough to
grow up in hip-hop’s golden era. He’s not an ’80s baby; he’s a ’90s baby. Think about that for a second. Then think about his potential.

Hailing from Fresno, California, Fashawn has all the charisma of a modern-day emcee and the rhyming chops of a veteran beyond his years. For a 20-year-old, his raw talent, songwriting ability and versatility, is…well, it’s phenomenal.

Recognized already as a leader in Central California’s hip hop scene, steering a vibrant pack of young artists with his innovative style and originality in his music, Fashawn is more than ready to take on the world with his debut album Boy Meets World. Produced entirely by Los Angeles native Exile, Boy Meets World is just a story about a kid growing up, explains Fashawn. It’s my story, it’s very honest, it’s very in depth. So whatever you thought you knew about me, listen to this and you ll really get a good look at who I am. It’s going to be classic.

Boy Meets World

LIL WAYNE The Cartel Meets the Cartel CD mix carter 3 weezy drought baby cash money suffix

Product Description
1. Intro – Produced by DJ Nasty for Beatmakers (Carter 3)
2. I’m Raw – Produced by Develop (Exclusive Carter 3)
3. Screwed Up feat. Trae (Got Now Remix)
4. S On My Chest feat. Birdman – Produced by Kane Beats
5. Do It Again (World Premiere – The Carter 3)
6. Welcome to the Zoo feat. Mack Maine (Carter 3)
7. Put Some Keys (Got Now Remix)
8. La La La – Produced by Develop (Carter 3)
9. Just Ain’t True – Produced by the Heatmakerz (Carter 3 World Premiere)
10. I Feel Like Dying (Carter 3)
11. Interlude (Carter 3)
12. More Shots to the Heart Remix feat. Rick Ross
13. I’m Blooded (Got Now Remix)
14. Scarface – Interlude
15. Scarface (Carter 3)
16. Kush (Carter 3)
17. In the Hood feat. Brisco (Got Now Remix)
18. Got It Up feat. Fat Al
19. Diamonds and Girls feat. Currensy
20. Let’s Talk – Produced by Street Runner (Carter 3)
21. Bullsh*t feat. T.I. (Boyz N Da Hood Sh*t)
22. Prayer (World Premiere Carter 3)
23. Dear Lord I Got Money (World Premiere Carter 3)
24. Love Me or Hate Me (World Premiere Carter 3)
25. I Know the Future (Carter 3)
26. I’m A Beast (Carter 3)
27. Outro – Produced by DJ Nasty

LIL WAYNE The Cartel Meets the Cartel CD mix carter 3 weezy drought baby cash money suffix

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